The Secret in the Island - Episode 6

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Prophecy
Celestino in his bestial form.
Campaign	The Secret in the Island
Episode	6
Exhibited in	07/30/2022
Duration	05:05:56 (Twitch) 04:44:50 (YouTube)
Episode link	Twitch[restricted] YouTube
Previous episode	"Cliff"
Posterior episode	"Prosopagnosia"
Characters in the episode
Amelie Florence Bárbara Lima Milo Castello Olivier Florence Wanderley Nascimento Adrian Vurtoren Amora Aleno Angelina Florence Barnabé Aleno Bisteca Davi Pomar Evandro Eiland Francisco Oblito Helena Gama Ian Suna Iara Suna Jefferson Nemiera Maíra Suna Montel Florence Návia Eiland Otávio Nemiera Pedro Nemiera Vagner Freitas Valéria Nemiera Vitor Nemiera Bartô Castello (body and painting) Cavalcante Bueno (covered body) Celestino Vurtoren (covered body) Constantino Moretti (painting) Emério Cunha (skeleton and painting) Leila Lima (skeleton and painting) Lívia Lima (body and painting)
Creatures in the episode
Imaginary Friend (painting and drawing)
Locations in the episode
Island of Tipora Moretti's Mansion Tipora's Village

Good night! Today begins the last day of the island of Tipora.

GM

Prophecy is the sixth episode of The Secret in the Island. It aired on July 30, 2022.

Synopsis

Everyone will die tomorrow. Amelie, Bárbara, Milo, Olivier, and Wanderley race against time to unravel the remaining mysteries of the Moretti's Mansion and the island before the mysterious creature in the paintings consumes everything and everyone.

Summary

The continuation of the night begins at an intense pace, Olivier is at the police station, meeting with the terrible image of the death of Bartô, he tries to assimilate what’s happening as the bell keeps ringing, louder and louder. The scene is horrible and everyone starts to go crazy. Good night! This is the beginning of the last night of the island of Tipora, and the creature will kill everyone.

Bárbara, Milo, Amelie and Wanderley arrive in the village carrying the unconscious body of Evandro. With everyone in front of the police station, the group receives the news that there is one more dead among them, Milo runs out into the police station and even after being prevented, manages to stand in front of the disturbing scene of his dead, faceless father.

Milo begins to go crazy due to the situation and is calmed down, while Olivier, frightened, runs wanting to open his father’s cell door, but it is locked. He, his sister and Otávio run to Evandro’s house, there finding the keys, they come running back and everything is chaos, everyone on the island are desperate going to their homes. They try to find a solution and resolve to evacuate the residents of the island by boat, but there is a problem: Adrian's boat supports only 10 people, and the trip is long. Anyway, the key to the boat is gone and to complete the evacuation plan they first need to find it.

Everyone discusses what to do and decides to investigate the crime scene, trying to find something that could help. In Bartô’s cell they find something inside the toilet, which is full of that half different blood, Bárbara tries to pull over, but the feeling of that kind of paint is very strange and she begins to go crazy. Wanderley manages to save her, and they break the toilet, getting a key. From the police station, they split up and Bárbara, Milo and Olivier try to talk to Amora, but Iara doesn't let them in, claiming that the children are already very frightened, after this the trio decides to go to Milo’s house to open the chest in his father’s room.

When they finally arrive at the house, the three together raise the chest, which is very heavy, but not for its contents. When they open, they can see a painting and a key, in addition to the blueprints of the mansion, so they decide to go back there for the last time, to reveal the remaining mysteries of that cursed place.

Meanwhile, Wanderley and Amelie are in Návia's house asking questions about such a specific day that they spoke so much: the day that Evandro made everyone excited to enter the mansion, due to the stories that Lívia told. Everyone, even Bartô, who had got the plans of the house, went there, but Návia stayed in the library, while the others went to the third floor, where even Lívia had never gone, but something was wrong there, everyone ran out and the doctor says that from that day on, Evandro was never the same.

Bárbara, Milo and Olivier arrive at the mansion and search Lívia's body, finding the key to her diary. This diary tells about the day they met at the mansion, narrating from Lívia’s perspective what Amelie and Wanderley discovered with Návia and Barnabé. They go to the library, finding a page-marker of Návia, and a note on where to place the piano to avoid structural problems.

Wanderley and Amelie after hearing the reports go to the mansion along with Montel, and the whole way follows with the father completely upset, saying that the creature will return and that everyone will die the next day, expressing the feeling that everyone is feeling, crazy about the true art.

Not long after, they all meet at the mansion and go to the front of the sewing room, where they use the key that Wanderley had found in the evidence part of the police station. They open the room and begin to investigate, finding a panel locked by a chain, chain that belongs to Cavalcante, that found that spot before dying.

After doing several tests to be able to take the chain out of there, one hour they break it, revealing a panel of keys. They take most of the keys from the third floor and, after discussing and looking at the layout of the mansion, they finally go to the painting of Noralma, finding a door behind it and revealing a staircase that leads them to a hallway, full of totally melted and macabre paintings.

Following, they find the employees' room, where the group finds the decomposed body of Leila and Emério, who are faced with a painting of them with Livia when younger. Bárbara wants to see the painting alone, but it is the paint coming out of the eyes of the skeletons that catches her attention. Bárbara goes crazy, feeling that her hands begin to become just bones and moments before the total collapse of insanity, Olivier saves her.

Wanderley decides to train everyone so they can have at least one chance to fight the creature, since everyone will die today.

Documents and evidences

Main page: Documents

Evidence	Description
No Illustration	Montel Florence's fingerprints. Found in Bartô Castello's painting.
	Bartô Castello's note. Found next to a rusty key, located in the pocket of Bartô’s body pants. Milo you were always been real - I miss Miguel too explain the painter’s day and the mark on the hand hard to differentiate what I saw and what others saw explain the nights out it’s hard to control sometimes then it’s better to stay away from everybody talk more I love you
No Illustration	Spatula completely melted and softened. Found inside the toilet of Bartô Castello's cell.
	Castello's painting. Found inside the chest under Bartô Castello's bed.
	Moretti's Mansion 1st floor blueprints. Found inside the chest under Bartô Castello's bed. Moretti Mansion - Ground floor 1962 Project Civil Engineer - Bênio Castello Architect - Zélia Castello Laundry - Main Hall - Library -> Rayssa was in charge of the key mechanism, more information in the library compartment Kitchen - Gaming Hall Dining Room - Entrance Hall - Bathroom - Office
	Moretti's Mansion 2nd floor blueprints. Found inside the chest under Bartô Castello's bed. Moretti Mansion - 2nd floor 1962 Project Civil Engineer - Bênio Castello Architect - Zélia Castello Bathroom - Master Suite - Bathroom Suite - Closet - 2nd Floor Library Sewing Room - Balcony - Bedroom 3 Bedroom 1 - Open Area - Living Room Bedroom 2 - Bedroom 4 Changes that Constantine asked for Hide the door as a painting and make material more sturdy
	Moretti's Mansion 3rd floor blueprints. Found inside the chest under Bartô Castello's bed. Moretti Mansion - 2nd floor 1962 Project Civil Engineer - Bênio Castello Architect - Zélia Castello Staff Accommodations - Guest Room Corridor Bathroom - Painting Studio
	Bênio Castello's letter to Bartô Castello. Found inside the drawer in Bartô's room. We’ve confirmed the boat trip, and we’re leaving early tomorrow, Bartô. The disease is getting much worse, and your mother and I can no longer afford to delay much longer. We will set sail for São Paulo and find a doctor who can provide proper care and treatments. We don’t want to put you at risk, so we’d rather you wait here on the island until we get back. This modest life is all we need, away from the chaos of the big city. Once we’re better, we’ll be back here. We’re sure you can handle yourself, big boy. Remember, if you experience hallucination crises again, that the perception of reality may be just what we want it to be. You’re more than capable of controlling that. Be well my boy.
	Constantino Moretti's painting predominantly melted.
	Rayssa Gama's note. Found in the painting compartment of the Moretti's Mansion library. After Constantino’s requests, a secret button was installed on the globe, with a built-in mechanical system. Just press the region where the island should be on the map and then the hidden keys panel in the sewing room is unlocked.
	Návia Eiland's page-marker. Found in the painting compartment of the Moretti's Mansion library.
	Rayssa Gama's letter tp Noralma Moretti. Found in the painting compartment of the Moretti's Mansion library. Noralma, I understand that the piano is an ancient heritage of the Moretti family and contains delicate mechanisms that release access to hidden compartments, so we need to move it very carefully so as not to damage it. But as I had commented at our meeting, the engineer pointed out on the last visit that he suggested changing the position for safety, so I thought I would change its position to the left of the room instead of the right. The living room will remain beautiful, I promise! Rayssa Gama.
	Lívia Lima's diary pages. Just because I’m young doesn’t mean I don’t know how to take care of myself. Library books talk about 12-year-old girls who turned out great! They have your own responsibilities, go on adventures, with friends and other boys... Like the stories of Emília, or Anne of Green Gables! Discussions, intrigues, romances, loves, betrayals... Everything is so beautiful, so alive... But no, not for little Livia, who is not able to understand the difference between what is right and what is wrong... I wish I could at least walk out of this place and explore a little. Visit the third floor, or the lighthouse, or any place that is not surrounded by the walls of which I already know every inch... It’s today! Evandro already said that all the people are ready to come here at midnight. His sister, Barnabé and Berê will come, and they are trying to convince Bartô but it seems that he does not want to come much. I’ve spent my whole life in this mansion and I’ve NEVER been up on this damn third floor. I don’t even know if this painter really exists? What if it’s all a story? What if my parents KILLED HIM and that's why they won’t let me up? I had given this idea to Barbé, but he said it was not good for me to write something bad like this from my parents and continue with what I had planned. I think I’ll tell them the story of the killer painter before we go up, to give them a little more atmosphere. The climb to the third floor is locked but there must be a way to open, we will find.
No Illustration	Keys panel. Found in the painting compartment of the Moretti's Mansion sewing room on the 2nd floor.
	Lima's painting. Found in the employees' room on the Moretti's Mansion 3rd floor.
	Lima's painting completely melted.

Episode cast

• Cellbit - Game Master
• Cinemagrath - Milo Castello
• Beamom - Amelie Florence
• Gabi Cattuzzo - Bárbara Lima
• Rakin - Wanderley Nascimento
• Goularte - Olivier Florence

Trivia

• The episode's cover is a reference to a scene from the character Thomas Wake in the movie The Lighthouse.

Gallery

Episode's cover on YouTube