The Secret in the Island - Episode 5

Only Kian knows when this page will be finished This page is a work in progress, and because of that, it might have errors. You can help editing it.

Cliff
Amora showing the drawing of her "imaginary friend".
Campaign	The Secret in the Island
Episode	5
Exhibited in	07/23/2022
Duration	05:07:36 (Twitch) 04:45:30 (YouTube)
Episode link	Twitch[restricted] YouTube
Previous episode	"Nightmare"
Posterior episode	"Prophecy"
Characters in the episode
Amelie Florence Bárbara Lima Milo Castello Olivier Florence Wanderley Nascimento Adrian Vurtoren Amora Aleno Angelina Florence Barnabé Aleno Bisteca † Celestino Vurtoren Evandro Eiland Francisco Oblito Helena Gama † Lívia Lima Maíra Suna Montel Florence Návia Eiland Otávio Nemiera Vagner Freitas † Bartô Castello (body and painting) Constantino Moretti (painting) Noralma Moretti (memory) Tobias F. Conclior (memory)
Creatures in the episode
Imaginary Friend (drawing, statue and painting) † Infected Wild Dogs (1 body) (4) † Infected Boars (1 body) (2)
Locations in the episode
Island of Tipora Moretti's Mansion Tipora's Village

I didn't protect the only person that needed me.

Bárbara Lima

Cliff is the fifth episode of The Secret in the Island. It aired on July 23, 2022.

Synopsis

The bell is getting louder. Amelie, Bárbara, Milo, Olivier and Wanderley gather to find out more about the mysteries surrounding the Moretti's Mansion. However, paranormal animals, a revealing picture and a lot of bloodshed will make them question their own emotions and what to do from now on.

Summary

Olivier awakens in the middle of the mansion. On leaving, he sees the silhouette of the lighthouse from afar. The boy tries to get there, but can not. He tries to go to the room of Wanderley; however, when passing through the big painting of Constantino, he hears the painting whispering to him. Olivier puts his ear to the picture and hears sounds of brushstrokes coming from behind the object. The painting is in a liquid medium form, similar to that described in the nightmares of the previous episode. The Florence touches the painting and decides to enter, waking up from his nightmare.

Meanwhile, Milo awakens in Bárbara's house alone. As he leaves the house and goes to the mansion, he sees several figures in the windows. He enters the residence and notices that the water level begins to rise, flooding the place. The boy runs, trying to climb the stairs, and goes to Wanderley’s room. Milo hears the cry of a man behind the bookcase. By opening it like a door, Milo awakens from his nightmare.

Wanderley wakes up in the mansion. He arranges his things, which had been overturned by the four youngers the day before, and goes to the bathroom. The man hears Olivier and Amelie waking up. They talk for a while, and as soon as Wanderley leaves the bathroom, Amelie decides to take a shower.

Milo and Bárbara wake up. Barbara hands her diary to Milo and makes one more attempt to talk to her mother. However, the conversation ends with a fight. Milo intervenes, preventing Lívia from slapping Bárbara, and attempts to talk privately with Lívia. Bárbara asks to see her mother’s diary, saying she couldn’t keep things from herself. Lívia says she did not know where the key was, but that it must have been somewhere in the mansion. Milo reads Bárbara’s notes as the two youngers walk to the mansion.

At the Moretti's Mansion, everyone gets ready and goes to the kitchen to have breakfast. Bárbara and Milo arrive at that moment. They have little time to talk, since Evandro suddenly appears and arrests Montel, accusing him by mentioning that there were fingerprints of the Florence's patriarch in the painting that pointed to him as suspicious. Everyone tries to argue with the cops, but they can’t. Angelina claims that Montel has a certificate, proving that he has a condition that makes it impossible for him to paint and draw. They run to get the certificate and, as soon as they find it, they run towards the village to show it to Návia; trying to prove that Montel could not have drawn the picture. However, in the middle of the way, a boar appears.

But this time, it looks different. The boar is monstrous, almost a putrid corpse, which is somehow still alive. Its ribs are apparent and the meat is rotten, like a zombie. Everyone leaves desperate, but they are too far from the village and need to fight; so they look for improvised weapons while Wanderley pulls out a revolver, managing to kill the boar after a few shots. They decide to burn the remains and run to the village, where they see the bodies of some animals similar to the boar - who were killed by the island’s police.

Everyone but Wanderley enters the police station to barricade the place, to which he and the police stand outside to fight the monsters. The group runs to the church. With the help of Vagner Freitas, they kill the other zombies that had run there. One of the infected dogs runs to the locked room and, after killing the monster, everyone wonders why they did not open the door to find out what is in the room, thus discovering what insanely attracted the monsters. When opening the room, they observe a place that seems to have been completely burned, having only a painting anchored in the wall - a painting that generates a strange feeling; filling the group with the desire to look at it alone. Wanderley is the most affected and, after a conversation, manages to convince others to let him see the painting alone.

Bárbara and Milo, with Evandro and Otávio, keep following the blood trail. The trail leads to the lighthouse, which is full of dead bodies of bitten creatures. As they go upstairs, they find no one and try to avoid the feeling of the painting. After barely succeeding, they leave and follow the trail that leads them to the mansion.

Wanderley sees the painting. He feels free of himself, wanting to forget his greatest regret. He wants to get rid of the memory of trying to save his sister from the bite of a poisonous snake, although it was a fruitless attempt. Wanderley hears someone calling him. And it is at this moment that he realizes that his hand is no longer his hand.

He's on the mansion's gardens. Someone calls him and Wanderley goes to cliff: there's a figure waiting him, exuding disappointment and regret. A melted silhouette of a man with simple clothes, that tries to say that loves her; that loves Noralma. He pulls Wanderley, living the memories of Noralma Moretti in his body, to see his eyes, making him see the abyss. He fights against, even throwing the man off the cliff. However, at the same time, they change places. Wanderley, as Noralma, feels falling off the cliff along the letters of a familiar name. From Tobias F. Conclior, the name of the boy in love with Noralma Moretti, is formed Francisco Oblito.

Wanderley leaves the trance with his burnt arms, gaining his first paranormal power. Then they go to the square; but the crowd is present and the group discovers that Amora went out again with her friend. She left a drawing; saying that she should go to him soon and, if not for her, he would take another one.

Bárbara and Milo, along with the officers, find in the mansion Mrs. Lívia and next to her, Celestino, that doesn't look like a human anymore. Beastly, the lightkeeper jumps and attacks Lívia. They start to fight and suddenly, Evandro starts feeling sick, dropping in the floor vomiting blood and fainting out. In the middle of the fight, Celestine tears Lívia’s neck out, while Milo and Otávio continue to shoot Celestino. Until Bárbara, with the fishwife she took from the Castello, kills Celestino and stabs him several times on the stairs.

On the beach, next to where Cavalcante died, Wanderley, Olivier, Amelie, Barnabé and Adrian look for Amora's whereabouts. They end up in a cave, where there is an old statue identical to Amora’s imaginary friend. Although they try, the debris prevents them from entering the cave, but they notice that the child footprints near the statue appear to be old.

They decide to separate: one group goes to the mansion and the other to the village. At the mansion, Wanderley reveals that Cavalcante had disguised himself as a tourist where Wanderley worked as a guide, due to the local urban legends. Cavalcante confronted, alone, the monster that inhabited the lake of the tourist region. In telling the story, Wanderley reveals a rifle, assembled from parts made to look like building materials. He also hands a number to Amelie and mentions that if they leave the island and something happens to him, it was to call the number on the paper and talk to the Order.

Olivier, Barnabé and Adrian return to the village and find Amora, who claims to have stayed at home as her father had said. In the end, they go to the uproar that occurs at the police station. They see a terrifying scene, similar to the horrendous death of Cavalcante: faceless, the lifeless body of Bartô Castello.

Beside, there is a painting depicting the exact scene; however, with the presence of a creature behind the deceased body.

Documents and evidences

Main page: Documents

Evidence	Description
No Illustration	Montel Florence's fingerprints. Found in Cavalcante Bueno's painting.
	First page of Bárbara Lima's diary. The Adventures of Bárbara and Milo!
	Second page of Bárbara Lima's diary. I know this will never make things go back to the way they were before, but I hope it makes you feel better! <3 This island has many secrets yet, and I want to unravel them with you! - Bárbara
	Third page of Bárbara Lima's diary. Milo, do you know what’s wrong with Olivier’s arm? -> Honestly, no, and I don’t think I have the guts to ask. Suspects: -> I swear I read "SUS PEITOS" and was very confused - Maíra - Father Francisco Livia - Bartô - Vanderlei!!! - I kinda like him. I don’t see evil in him. I think he’s just protecting us like everybody else. Painting count: (found) - Noralma - Painter - Cavalcante - Piano - Lighthouse - Milo - Bartô -> I really hope we don’t have to look at all of them! but that makes me want to look
	Fourth page of Bárbara Lima's diary. Places to investigate ☑ vanderlei Wanderlei?'s room ☑ church's door ☑ Bartô's chest -> thanks for bringing the painting, in some moment I take courage to look at it ☑ Bartô's drawer ☑ Lívia's diary ☐ third floor mansion
	Fifth page of Bárbara Lima's diary. Lima Family (Disappeared)* Leila Lima - Maid (1935) - (Disappeared)* Emério Cunha - Butler (1934) (Dead Alive) Lívia Lima - Gardener (10/27/1970) - ? (Alive) Bárbara Lima - Gardener (10/10/2000) -> after I understood your mother's reason to hate me, I stopped being angry to her. She really wanted to protect us, just like my father. I'm so sorry. * they disappeared alongside the painter? * they had a painting -> they went gone because of it?
	Sixth page of Bárbara Lima's diary. Castello Family (died?) Zélia Castello* - Architect - (died?) Bênio Castello - engineer (Dead Alive) Bartô Castello - Fisher (11/20/1968) - (Died) Helena (Alive) Miguel Milo Castello - Fisher (06/28/2002) -> look its me! * had a painter's painting (fertility)
	Seventh page of Bárbara Lima's diary. Moretti Family (Dead) Josué de Andrade Reiziger - (Dead) Fátima de Lurdes Santino (Disappeared) Constantino Moretti - Painter - (Dead) Noralma Reiziger - Explorer and Historian (1929 - 10/14/1964) * "temporary works"; "art is an experience" * got sick while painting (?) * "very soon, you will never hear from me again" - 08/14/1958 * Noralma CHEATED on Constantino??? Tobias F. Conclior (mason)
	Eighth page of Bárbara Lima's diary. Vurtoren Family (Dead) Willian Vurtoren - Lightkeeper -> the painting was from him (Dead) Roberto Vurtoren - (Alive) Celestino Vurtoren* - Lightkeeper -> we always wanted to know more about him and now I'm really scared about what's happening (Alive) The best! <- Adrian Vurtoren - Boatman (07/04/1970) - (Dead) Berenice Aleno (03/05/1971) * "the secret must be kept" "the bell" "the call" * has a painting in the lighthouse
	Ninth page of Bárbara Lima's diary. Suna Family (Dead) Jaime Suna* - ? (Alive) Maíra Suna* - Sister (06/15/1994) - (Alive) - Iara Suna - Carpenter -> the mother died? -> birth complications? - (Alive) Ian Suna * they've painted with Leila!!! * Maíra knows something!! -> Father Francisco too!!!
	Tenth page torn from Bárbara Lima's diary.
	Eleventh page of Bárbara Lima's diary. THE LIGHTHOUSE IS THE BELL -> my nightmare was in the lighthouse, the bell was ringing inside there -> in the diary, Lívia said that she couldn't go to the third floor and the lighthouse -> the animals went to the lighthouse to ring the bell and call the creature -> the note that says about the "lighthouse secret" -> maybe if we stop the bell from ringing... THE CREATURE - IS FROM THE SEA - my nightmare - things that milo says - Bartô in the sea everyday - Bartô and Cavalcante's bodies were found next to water - Milo controls it with the mark????
	Medical exam about Montel Florence's Constructional Apraxia. Found in the middle of Angelina Florence's cases by Bárbara Lima. Name: Mr. MONTEL FLORENCE Medic: Prof. Dr. MORENO CAPELUPO MOURA Exam Date: 04/22/2011 - Registration: 0348461928 CT SCAN OF THE SKULL The study carried out with the 256-channel multi-slice tomograph, through volumetric acquisition of the data with 0.625mm collimation, without administration of the venous contrast method, which were post-processed, obtaining axial images and multiplanar and three-dimensional reconstructions, demonstrated: Fracture without significant deviation of the portion of the right, healed timeline. Cerebral cortical grooves and fissures with preserved appearance. Ventricular system and brain parenchyma with usual morphology and dimensions. Discrete ectasia of the right portion of the parietal lobe. EXAMINATION OF APRAXIAS FOR CEREBROVASCULAR INJURY IN THE RIGHT HEMISPHERE The patient should draw up a copy of three figures: a square, a flower and a cube. Finally, he should make a drawing of a clock, marking the time 15 hours and 45 minutes. The patient drew the square with rounded angles, presenting difficulty to perform this task. In the design of the flower, it is observed that he had difficulty placing the correct number of petals, in addition to distorting the shape of the petals of the model design. In the design of the cube, the patient had errors of perspective and simplification of the design, characteristic of lesions in the HD according to the literature (BENSON; BARTON, 1970). In the design of the clock, it was shown prominently that the patient was not able to distribute the numbers properly and put the hands in the right position, in addition to not placing the hour hands between numbers 3 and 4. CONCLUSIONS The patient’s reports, in line with the lesions detected in the right region of the parietal lobe, indicated the possibility of Apraxia. In the practical test, the patient proved unable to draw, build or copy an object, even if he understands the task and has the physical ability to perform it. With this, it is correct to say that Mr. Montel Florence has Constructional Apraxia. Signed by: Dr. Moreno Capelupo Moura ANNEXES CT of the Skull Square - Flower - Cube - Clock Model 1 - Model 2 - Model 3 - No model Reproductions of Figures by the Patient
	Partially burned note from Constantino Moretti to Tobias F. Conclior. Found in the locked burnt room in the back of Tipora's church. Dear Tobias I always saw in your eyes a lot of kindness and determination, my wife gave you many compliments, mentioning how happy she was to help you have a prosperous future learning to read and write. Thanks to you, we found a beautiful landscape on our land, so I decided to paint it as a thank you to you. You deserve one of my works, for your kindness, kindness and cunning look. May the feelings they arouse be the purest. Sincerely, Constantino Moretti
	Cliff's Painting. Found in the locked burnt room in the back of Tipora's church.
	Paper of torn letters used to solve "Tobias F. Conclior's" anagram. Found in Wanderley Nascimento de Jesus Maria's hallucination.
	Cliff's Painting completely melted.
	Imaginary Friend's drawing made by Amora Aleno.
	Imaginary Friend's drawing made by Amora Aleno, with a message written by Barnabé Aleno. I NEED TO GO TO HIM OR HE'LL TAKE SOMEONE ELSE
	Old statue of a hooded person. Found at the entrance of the cave amid the vegetation near Tipora's beach.
	Bartô Castello's painting, portraying his death and the Imaginary Friend, painted by Barnabé Aleno. Found in Bartô's cell.

Episode cast

• Cellbit - Game Master
• Cinemagrath - Milo Castello
• Beamom - Amelie Florence
• Gabi Cattuzzo - Bárbara Lima
• Rakin - Wanderley Nascimento
• Goularte - Olivier Florence

Trivia

• This was the first episode of the season that was interrupted before the end of the day.
• This is the second episode of the Paranormal Order series whose title was changed after its broadcast. Originally, the episode was titled "Exordium", but after a few days it was replaced to "Cliff". In the PT-BR language, that was made to keep the pattern of the episodes' names starting with the letter P.