The Secret in the Island - Episode 3

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Dread

Milo, on his dream, looking to Miguel.

Campaign

The Secret in the Island

Episode

3

Exhibited in

07/09/2022

Duration

05:55:06 (Twitch)
05:29:17 (YouTube)

Episode link

Twitch^[restricted]
YouTube

Previous episode	Posterior episode
"Beach"	"Nightmare"

Characters in the episode

Creatures in the episode

Imaginary Friend (painting)

Locations in the episode

There's no turning back. Things will never be the same from here.

GM^[1]

Dread is the third episode of The Secret in the Island. It aired on July 9, 2022.

Synopsis[]

Amelie, Bárbara, Milo and Olivier reunite again to continue investigating the story of Moretti's Mansion. However, the arrival of the new real estate agent, the disappearance of Amora and a tragic event on the beach can frighten them to the end of their lives.

Summary[]

A new day at the island of Tipora, everyone wakes up with a certain kind of discomfort due to the barbecue the day before. Milo has a nightmare at dawn with his brother Miguel, and tells this to Bárbara after taking a shower due to his sweat. Olivier wakes up and then wakes up his sister after, who wakes up sick and goes to the bathroom to get better, and on the way they realize that inside the house there is a subtle fog. Milo and Bárbara continue to speak and correlate that the door of Milo’s dream is his 20th birthday, exactly 10 years after Miguel disappeared.

They decide to go to the mansion and meet up with the brothers. They decide to investigate further the mansion, but first they go see the situation of their parents who have not yet woken up, and find an unusual situation, the parents of the Florence family sleeping together. They go to investigate the mansion and separate to investigate; the Florence goes to see Cavalcante's room and Milo and Bárbara stay downstairs. As much as the room in the hallway is locked, they manage to see through the lock on the door, and they see the room with a painting covered with a blanket and a briefcase, plus a note about telling something to Constantino, and on the way down they pass through the painting of Noralma, noticing some bloodstains in the sheet. Upon returning they tell what they found along with the information of the other duo, these being a 1963 photo of some couple. They go on and find a paper, about a marriage and someone named "Leilinha" who learned to paint paintings with Constantino, and a note about calling the architect and engineer, who were the Castello, to close the third floor after some accident happened. Looking for more, they find a hiring form from Leila Lima and Emério Cunha. They find more notes and hear a horn from the boat and decide to separate to see Adrian and stay at the mansion to see Cavalcante.

When they reach the boat they see a person helping Adrian, a bald person, never seen before on the island. Going back in time, Wanderley is on the boat with Adrian and they arrive at the island where they meet Milo and Bárbara where they present themselves, and Wanderley goes to pick up his stuff on the boat as the island residents enter the lighthouse to give the lunch box to Celestino. The brothers investigate the living room now in the games part of the room and find a note on the copy of the house keys, and that Maíra and Iara learned to paint with Leila that taught them.

Milo, Bárbara and Wanderley arrive at the mansion, Amelie and Bárbara go to the kitchen to talk about the informations they found, while the others help Wanderley to go to Cavalcante's room, but the room was locked, and before they could open the door, someone knocks fervently at the door, Amelie opens the door and sees Barnabé, Adrian and the islando officers, looking for Amora. They divide into groups, Bárbara, Amelie and Wanderley go to the woods, while Olivier and Milo go to the beach. They find Bisteca in the cabin, but no sign of Amora. They decide to walk along the beach looking for, however, they see a hat dropped on the ground, a shiver consumes them, they look up, and see Cavalcante practically unrecognizable without his face, propped with blood stains on the rocks, and a painting with the same scene beside, but with the presence of a creature. The two run from that scene, and when they come back to see better, they find Amora and cover the traumatizing scene of the girl, who says she has disappeared to talk to an Imaginary Friend, they find the cops who come and see the scene, getting in shock and asking the others to leave, the other group also arrives where Wanderley is told to stay while the two women go to the mansion. Arriving in the village trying to get information about her Imaginary Friend, they tell this to Adrian and Barnabé, who generates an uproar and Mrs. Lívia arrives getting worried with the scene, being taken to home, where Bárbara and Amelie were investigating Lívia’s unlocked room, but she arrives, and they have a confrontation with Lívia trying to stop them from leaving the house and going to the mansion and dying, and the youngers trying to figure out the story, ends getting stuck in the house, but Wanderley going to the mansion, is called by Bárbara and Amelie, managing to saw the door, taking the two to the mansion, where Olivier arrives soon after, without Milo who went to his cabin. At the mansion they talk about Wanderley and after a heated discussion, everyone goes to sleep and Wanderley hides both the briefcase and the painting covered by a blanket in Cavalcante’s old room.

Documents and evidences[]

Main page: Documents

Evidence	Description
	Leila Lima's note to Emério Cunha. Found on the table in the 2nd floor hallway on the Moretti's Mansion.^[2] This situation is getting a little complicated. I don’t think we can keep this to ourselves for that long. Mr. Constantino will understand if we are honest, I think he would like it, and give us more time to be together... I’m afraid if he finds out on his own, he might resent us keeping secrets from him.
	Newspaper clip from "Gazeta de Limeira". Found in the Moretti's Mansion entrance hall.^[3] The Painter Constantino Moretti: A Brazilian Artistic Revolution Last Friday, after another of the biannual art exhibitions at the Pinacoteca, a reporter from the Gazeta got a talking stick with Constantino Moretti. The conversation was brief, but had more revelations than expected! When asked about the secret of his art (question that won the popular vote), he replied with a beautiful phrase: "True art is just a reflection of the feelings of those who contemplate it", and dodged further details. Constantino then went into more detail about his artistic identity of "temporary works". According to Moretti, "Life is made up of temporary fragments of feelings that we call experiences. And that’s what art should be, an experience. I want every time someone experiences my art, they experience themselves. Each observer will feel something distinct and unique, and therefore their experience needs to be temporary. The truth is that I do not create anything with my art, I only allow access to what has always existed". Still on this subject, he emphasized that he does not allow, in any way, to take pictures of his paintings. Finally, he commented on these changes in his world perspective, in addition to this recent detachment from monetary issues. After that, he also talked about his life ambitions and plans for the future, and that’s when he launched a surprise warning: "I’m going through a moment of discovery. I discovered my own art, and I also discovered my great love. If there is one thing I can say is that, very soon, you will never hear from me again!". He scored the sentence with a broad smile, and then said goodbye. The question now remains: what is the future that awaits Constantino Moretti? What did you mean by such an enigmatic phrase? The mystery remains. Constantino Moretti, the revolutionary painter
	Photo of Leila Lima and Emério Cunha taken in 1963. Found in the Moretti's Mansion entrance hall.^[4]
	Edmilson E. Andrade's telegram to Constantino Moretti. Found in the Moretti's Mansion entrance hall.^[5] General Administration of Post Offices, Telegraphs and Telephones TELEGRAM Date: 01/14/1958 - Scribe: Josuelson de Paula - Station: Carioca 023 I will be honored to assist in any of your research. You will have all the resources of the museum in this project. I pulled the names of some potentially useful contacts. ~~Anderson Pizzoto~~ - 02-9368 ~~Gertrudez Marcon~~ - 41-4150 Noralma Reiziger - 10-3586 Nelson Rossato - 30-2908 I’m sure many good things will come in the future. Sender and Receiver: Edmilson E. Andrade -> Constantino Moretti Fee: 18 cents
	Emério Cunha's note to Leila Lima. Found inside the glass shelf of the Moretti's Mansion entrance hall.^[6] You think the boy... what’s his name again? Could we ask him to marry us? Since he became a priest now... I do not know very well how these things work, but we love each other fur so long and we are already a family inside this mansion I wanted to say that I'm married to you, Leilinha
	Leila Lima's note to Emério Cunha. Found in the table of the Moretti's Mansion entrance hall.^[7] After I began to show interest in painting, Mr. Constantino became much more alert and communicative, did you also notice? He even taught me some tricks and basics of painting, but I need to practice more. Even after all, it seems that teaching and talking about art still awakens a light inside him... But in the end, there is no greater gift in my life than you! Every time you offer to cover my daily chores, I have a few extra hours to explore the island and paint some beautiful landscapes. I was even thinking of giving some as a gift to our neighbors, as Mr. Constantino does.
	Constantino Moretti's note to Emério Cunha about the third floor. Found on the Moretti's Mansion entrance hall.^[8] Good night Emério The third floor needs to be locked with greater security. After the invasion, I decided that there is only one solution for this. You must close and hide in the safest and most impenetrable way you can, for you know very well the danger that this represents if it is not done in the right way. Contact the architect and engineer to do a renovation and leave the access very well locked. I will deal with any expenses. And stop apologizing, I said it’s not your fault. This was bound to happen eventually, and we can be happy that the situation was contained in the ideal way. In a way, it was kind of interesting. But that can’t happen anymore, ever. Set more severe restrictions. Constantino Moretti
	Leila Lima and Emério Cunha's form of employment. Found in the living room on the first floor of Moretti's Mansion.^[9] Form of employment: Employee: Emério Cunha - Age: 28 Function: Handyman-Butler - Gender: Male Previous Residence: Salvador, Bahia Signature of the Contractor: Emério Cunha Employee: Leila Lima - Age: 27 Function: Cook, Cleaner-Maid - Gender: Female Previous residence: Maringá, Paraná Signature of the Contractor: Leila Lima
	Leila Lima's note to Emério Cunha. Found in the living room on the first floor of Moretti's Mansion.^[10] Emério, it can only be this. I’ve taken the medicine they gave me and the natural teas for revertery and congestion, but nothing seems to solve. We need to prepare for this, and I don’t think we’ll be able to count on Constantino’s help. He’s too far gone since it happened.
	Emério Cunha's note to Leila Lima. Found in the living room on the first floor of Moretti's Mansion.^[11] See, I’m more and more worried about the boss. He’s locked himself back in his room and I think he’s gonna be there for a few days like the last time, poor thing. I peeked through the lock to see if everything was okay because he hadn’t responded in a while, and I saw some weird stuff. It had a lot of paintings of a woman in a wedding dress, which were equal to Noralma when they married. He looked like he was crying.
	Noralma's note to Constantino Moretti. Found in the living room on the first floor of Moretti's Mansion.^[12] My dear, Mr. William’s little children were so excited to enter the mansion for the first time that they unwittingly knocked down and smashed one of the smaller statues in the Entrance Hall. But do not worry that no one came close to the living room while you were there, as you always ask. I’ve already arranged for all the shards to be removed to avoid accidents and will try to rearrange the decor of the room. Even though it was Robertinho’s fault, little Celestino insisted on apologizing several times, he seems to like you a lot! I always wonder how good a father you’d be...
	Lucas Fontoura's warning statement. Found in the living room on the first floor of Moretti's Mansion.^[13] STATEMENT - LUCAS FOUNTOURA - FOREMAN WARNING In case anyone loses the important keys to the house, I put an exact copy of each one on the secret key panel of the mansion. No employee will have access to the plants that show the place, for safety. All these documents are well protected by Mr. Bênio.
No Illustration	Celestino Vurtoren's cigar containing the paranormal paint. Found in one of the Lighthouse drawers.^[14]
	Jaime Suna's note. Found in the living room on the first floor of Moretti's Mansion.^[15] Since I started painting with lyttle Maíra I have been feeling much more alive. She was in a rebellious phase, age thing, and it helps me cunnect with her... Meanwhile, the youngest, Iara, seems more interested in makin those wooden sculpture. It seems that living on the island with the painter makes everyone want to be more creative and make art too! I can only thanq Mrs. Leila for giving these lessons to the people here in the village, she is a great woman. Jaime Suna
	Cavalcante Bueno's painting, portraying his death and the Imaginary Friend, painted by Barnabé Aleno. Found on a rock on the shore of Tipora's beach.^[16]
	Note signed with "W" of Wanderley Nascimento de Jesus Maria to Cavalcante Bueno. Found in the pocket of Cavalcante’s body on the shore of Tipora's beach.^[17] Analyze if the environment is the way we imagine. Let’s do what needs to be done and leave without drawing attention, just like last time. -W
	Lívia Lima's closed diary. Found in Livia’s dresser drawer.^[18]
	Cavalcante Bueno's briefcase locked with a password.^[19]